The best Ableton project manager in 2026
There is no single best Ableton project manager, only a best one per problem: MAKID or Audyn if you want a free Ableton library today, Audyn if you want to walk back through old versions of a track, Deckable if half your work is in other DAWs, MAKID or SessionDock if you want your bounces on your phone, and Saltado Sessions, which we make, for the part that starts after the track is finished. Seven tools now take on the same mess, a drive full of projects you cannot search, cannot hear and cannot tell apart, and six of them cost nothing to start; what follows is what each one reads out of your sets, what it costs, and which to install, including the cases where the answer is not ours.
Read this knowing who wrote it
We make Saltado Sessions, which is one of the seven. That is a reason to check every claim here against the other products' own sites, and we have made that easy: every fact about another tool on this page comes from that tool's public site, store listing or repository, checked on 7 August 2026, and the source sits in the page source next to the claim. Where a product's site does not say something, this page says the site does not say it, rather than guessing that the feature is missing. Prices and features move, so check both sites before you buy anything. The Saltado Sessions column was updated on 27 August 2026, since we can check our own product any day; the competitor columns still stand as read on 7 August, which means they may understate what those tools do now.
What we have not done is invent weaknesses. Several of these tools are free, several are very good, and on more than one axis they beat us. Those sentences are in here.
The short answer
- You want it free, on Ableton, today. MAKID or Audyn. Both cost nothing for the desktop app and both are Ableton-first.
- You want your bounces on your phone or in the car. MAKID or SessionDock. Neither of the other desktop tools has a mobile app, and we do not have one you can hold today either. Ours is being built, which is worth exactly nothing to you this week, so buy on what ships.
- You want to walk back through old versions of a track. Audyn. It has a version timeline; we do not.
- You work in four or five DAWs and want the same depth in all of them. Deckable. It reads BPM, key, plugins and samples out of eight formats, which is more formats read deeply than anyone else here manages. We list ten and find, preview and manage projects in all ten, but the deep read is Ableton's.
- You want a scriptable index of your sets and you live in a terminal. seula, which is free and open source.
- You want the part that starts after the track is finished. Saltado Sessions. Hearing every bounce without opening Live, a directory of 1,144 labels, and a record of every demo you sent. Nothing else on this page does that half.
Side by side
| Saltado Sessions | MAKID | Audyn | Deckable | SessionDock | |
|---|---|---|---|---|---|
| DAWs | 10 formats, Ableton read deepest | Ableton Live | Ableton Live 10, 11, 12 | 8 DAWs | Cross-DAW |
| What it reads from the project file | Ableton: BPM, key, plugins, samples, arrangement, length. FL, REAPER, Studio One, Logic: BPM (key from Logic too). Bitwig and Cubase: the version that wrote it | Not advertised | BPM, key, plugins, samples, arrangement | BPM, key, plugins, samples, in all 8 | Shows and sorts by key and tempo; the source of those values is not documented |
| Play a track without opening the DAW | Yes, bounces matched automatically, with a loudness and phase metering console while it plays (Pro) | Yes | Not advertised | Not advertised | Yes, plus phone, CarPlay and Apple TV |
| Cleanup and organization | Missing files, collect-and-save check, duplicates, import organizer, tags, statuses, kanban board, releases, and a folder un-tangler that copies samples so each split song is self-contained | Search, tags, notes and comments | Collections, tags, status, notes, tasks | Kanban board, sample browser, plugin manager, 18 widgets | Artwork, tags, notes, timestamped waveform notes |
| Labels and demo submissions | 1,144-label directory free, submission tracking in Pro | No | No | No | No |
| Price | $44 one-time | Desktop free, mobile from $7.99/mo | $49 one-time | $49 one-time | Free app, Pro $5.99/mo or $49.99 lifetime |
| Free tier | Unlimited projects, free forever | Whole desktop app | Unlimited projects, free forever | 14-day trial, then 7 days read-only | Unlimited desktop projects, 4 synced |
| Platforms | Windows, macOS | Windows, macOS, iOS | Windows, macOS | Windows, macOS | Windows, macOS, iOS, Apple TV |
| Local or cloud | Local-first, no account required. Optional account carries your licence between machines; optional Vault backup subscription | Local, with optional sync to the phone | Local, fully offline | Local, no account | Local, syncs via iCloud or Dropbox |
| Version history | No timeline. 30-day file history comes with the Vault subscription. | Not advertised | Yes, with side-by-side compare | Not advertised | Not advertised |
The two open-source options, seula and Ableton Live Manager, are covered below rather than in this table. Neither is a packaged product in the sense the other five are, and one has no graphical interface at all, so a tick in a feature grid would misrepresent both.
MAKID
Free on the desktop, and the closest thing here to a phone in the studio.
MAKID scans the folders you point it at, keeps track of your Ableton project files, opens sets
directly, and plays your exported bounces in the app. You can search, categorize and tag, and
add notes and comments to a project. The desktop app is described on its own site as completely
free; the mobile half, which syncs your bounces to your phone so you can revisit ideas away from
the studio, needs MAKID Pro or Studio from $7.99 a month.
Its site does not claim to read BPM, key, plugins or samples out of the .als, and
we are not going to assert it cannot; it simply is not what MAKID advertises.
Who it fits. If what you want is a free, tidy, good-looking way to find a set and hear the bounce, and then have that bounce on your phone on the way home, MAKID is the right download and there is no reason to pay anyone for that. It is also the most widely written-about tool in this category, with threads on the Ableton forum and Elektronauts and write-ups elsewhere, so a second opinion is easy to find before you install it.
Audyn
The deepest free read of an Ableton set, and the only version timeline here. Audyn scans your library and pulls BPM, key, plugins, samples and the arrangement out of your projects, shows tracks, clips, groups and plugin chains without opening Live, and lists every sample and plugin with its status. It supports Live 10, 11 and 12 across Intro, Standard and Suite, runs on Windows and macOS, and states plainly that it is 100% offline and that your data never leaves your computer. The free tier is unlimited projects, forever. Pro is $49 one-time and adds the Version Timeline, where you tag milestones and compare any two versions of a track side by side.
Who it fits. If losing a good arrangement to your own later edits is the problem you actually have, buy Audyn. Nothing else on this page has a version timeline, ours included. The nearest thing we have is 30 days of file version history inside the Vault backup subscription, which is a different promise anyway: a backup you can reach back into, not a timeline of a project's states. It is also the strongest free option for someone who wants a rich read of the set itself and does not care about anything downstream of the bounce. We wrote a longer side-by-side of the two of us on the Audyn comparison page.
Deckable
The broadest deep read of any tool here. Deckable extracts BPM, key, plugins and samples from eight formats: Ableton Live, Logic Pro, FL Studio, REAPER, Pro Tools, Cubase, Bitwig Studio and DAWproject. On top of that it has a kanban board, a sample browser, a plugin manager and eighteen dashboard widgets, plus a Dust Off feature for resurfacing forgotten projects. It is a native desktop app for Windows and macOS, local-first, keeping a SQLite database on your machine with no account, and it states that your projects, samples and plugin data never leave your computer. It is $49 one-time with lifetime updates and no subscription. The trial is 14 days with no credit card, followed by a 7-day read-only grace period where you can still browse but not edit or scan.
Who it fits. If your work is genuinely spread across Logic, Cubase, Pro Tools and Bitwig and you want the same quality of read in every one of them, Deckable is the better tool and it is not close. We list ten DAWs, but we are honest below about how uneven that ten is. Deckable is also the most feature-complete board in the category today. The trade is that it makes the buy decision for you on day fourteen. Longer version on the Deckable comparison page.
SessionDock
The one that follows you out of the studio. SessionDock pulls sessions from Ableton Live, FL Studio, Logic Pro, Pro Tools and other DAWs into one library, connects to your file locations automatically, and previews the mixdown of each song without loading the DAW. Its standout is Waveform Notes, timestamped ideas and reminders pinned to a point in the audio. It runs on macOS, Windows, iOS and Apple TV, with CarPlay, and everything syncs through iCloud or Dropbox. The free tier covers unlimited desktop projects with artwork, notes, tags, sorting and previews, and syncs four of them; Pro lifts the sync limit and adds themes and automatic backups, at $5.99 a month or $49.99 lifetime on the App Store listing.
Who it fits. If you want to listen to an unfinished track in the car and leave a note at 2:14 for tomorrow, SessionDock is the only tool on this page that does it, and the free tier is generous on the desktop. If you are deep in the Apple ecosystem it is the obvious pick. Its public material does not document reading BPM, key, plugins or samples out of the project file, so if what you want is a deep parse of the set, look at Audyn or Deckable instead.
The open-source options
Two free, open-source tools show up whenever this question is asked. Both are real and neither is abandoned, but both are one-person side projects, and you should install them knowing that.
seula
A very fast parser with no windows. Written in Rust, seula indexes your sets
and extracts tempo, Ableton version, time signature, length in bars, plugins, samples with their
file paths, key and scale, and an estimated duration. It runs as a command-line tool with more
than thirty commands or as a gRPC server in the system tray. There is no graphical interface
yet, it is described as currently Windows-focused with macOS listed as a future enhancement, and
you install it by building from source with cargo build --release. It is licensed
MPL-2.0. At the time of writing it had 11 stars and its last code push was 28 August 2025, so it
is quiet rather than dead.
If you want a scriptable index of your library that you can query from your own scripts, this is
the best thing on this page for that and it is free.
Ableton Live Manager
A small desktop app that does one unusual thing. It scans .als
files for tempo, track count and the plugins in use, groups projects into collapsible sections,
adds notes and tags, and searches and filters. Its metadata lives in an alm.json
file next to your projects rather than a central database. The unusual part is that it can strip
third-party plugins out of a project and save the result as a copy, which is a real answer to
handing a set to someone who does not own your plugins. There are macOS and Windows builds, it
is GPLv3, and at the time of writing it had 13 stars, a latest release of v0.9.5 from 24
February 2025 and a last code push of 11 December 2025.
It is at version 0.9.5 with nine open issues, so treat it as a useful utility rather than
something to build a workflow on.
Saltado Sessions
The library, and then the part after the library. Sessions scans ten project
formats and reads Ableton the deepest: BPM, key, plugins, samples, the arrangement, the length
of the set and whether it will open on someone else's machine. That ten is uneven and we would
rather say so than let a logo count do the arguing. BPM comes from Ableton, FL Studio, REAPER,
Studio One and Logic. Key comes from Ableton and Logic only, because .flp,
.rpp and .song do not store one. Bitwig and Cubase give up the version
that wrote the file and nothing more. Reason, Pro Tools and GarageBand projects are found,
listed, opened, previewed and managed, but nothing is parsed out of them. Every one of those
limits is in the app, on the row, where you can see it.
What is different is the second half. Sessions plays the bounce for every project without opening Live, matched to the set automatically from your exports folder, with a waveform and a loudness read that tells you what Spotify will do to the track. It ships a directory of 1,220 labels and outlets with genres and their histories, and it tracks every demo you send from sent, through no reply, to accepted or released, flagging anything that has gone quiet for thirty days. It exports a Plugin Passport so you and a collaborator can see whose plugins overlap before you swap a session. It runs on Windows and macOS, keeps everything in a local database, and needs no account.
Some of that has arrived since this page was first written. Finished tracks can be grouped into releases, so an EP carries a running order, a total length and a readiness roll-up instead of living in your head. Auditioning a bounce draws a full metering console on the waveform: momentary, short-term and integrated loudness with the distance to the -14 streaming reference, true peak with clip lamps, correlation and a goniometer. The library has a grid view with cover artwork and a colour theme per collection, and each project quietly accrues the studio time you have spent in it while the app was running. The folder un-tangler now copies the samples as it splits a shared pile, so each song comes out self-contained rather than still tethered to the pool, and nothing is deleted from the original folder.
Free means unlimited projects, forever: BPM and key, ratings, statuses and tags, grid view and artwork, the missing-file check, the compatibility checker, Plugin Passport and the label directory. Pro is $44 one-time and adds bounce playback, the metering console, the sample and plugin library, demo-submission tracking, starting a new project from your own template and the import organizer. Opening your DAW from the app is free. There is no trial clock, because there is nothing to run out.
Who it does not fit. If you want version snapshots, buy Audyn. If you need the same deep read across eight DAWs, buy Deckable. If you want your projects on your phone today, use MAKID or SessionDock: a phone app is being built here, and a thing being built is not a thing you can use, so do not buy us for it. If free is the whole requirement and you only want a tidy Ableton library, MAKID and Audyn both give you that and we would rather you were happy than converted.
Pick by the sentence that sounds like you
Saltado Sessions
"I have finished tracks nobody has heard, no record of who I sent what to, and no way to hear an old bounce without loading Live."
Audyn
"I keep mixing away arrangements I liked and I want a timeline I can walk back through."
Deckable
"Half my work is not in Ableton and I want the same information about all of it."
MAKID
"I want something free that finds my sets and plays my bounces, and I want them on my phone."
SessionDock
"I do my best listening in the car, and I want to leave notes on the waveform while I am there."
seula
"I want to query my own library from the command line and I am happy to build it from source."
What to check before you commit to any of them
Whichever way you go, three things decide whether a project manager is worth the install, and none of them are on a feature list. Point it at your real drive, not a test folder, and see whether the scan finishes and finds everything. Open the oldest project you care about and see whether the tool tells you anything true about it. And ask what happens when you stop paying, because the answers here range from nothing at all to read-only in seven days.
If you want to go deeper on the underlying problems rather than the tools, we have written about organizing Ableton projects, finding an old project, tracking down missing samples, whether a set will open on another machine and previewing projects without opening your DAW. There is also a guide to doing all of it by hand, with no app at all, which is a legitimate answer for a small library.
Try Saltado Sessions free. Unlimited projects, no account, no trial clock, and nothing leaves your machine. Point it at a decade of projects and see whether the picture it builds is worth anything to you. Pro is a one-time $44 if it is.
Details of MAKID, Audyn, Deckable, SessionDock, seula and Ableton Live Manager are drawn from each product's own public website, store listing or source repository and were checked on 7 August 2026; the Saltado Sessions column was updated on 27 August 2026. Features and prices change on all of them, so check the current source before you buy; where a product's own material does not address a capability, this page says so instead of assuming. MAKID, Audyn, Deckable and SessionDock are trademarks of their respective owners, and this comparison is not affiliated with or endorsed by any of them. Saltado Sessions is made by Saltado LLC, who also wrote this page.